Griselda Venum educates Nicholas Tanek on the BDSM of PULP FICTION. We talk about how the gimp’s representation of the BDSM community, fetishistic murder, what’s in the case, who keyed Vincent Vega’s car, the toxic romance of Butch, and how Vincent Vega ruins everything!
Continue reading “Pulp Fiction” f/ Griselda Venum – (The YKF Cinema Show)
“I would absolutely blow that machine up.”
Cassidy Cream educates Nicholas Tanek on the film BARBARELLA
Continue reading “Barbarella” w/ Cassidy Cream – (The YKF Cinema Show)
“Sexuality is the penance.”
Mistress Genevieve schools Nicholas Tanek on the wild Mexican classic ALUCARDA (1977). In the premiere episode of THE YKF CINEMA SHOW, we dive into Juan López Moctezuma’s blasphemous fever dream: a loose adaptation of Carmilla where two teenage orphan girls in a remote Catholic convent strike a blood pact with dark forces, unleash demonic possession, and turn the house of God into absolute hell. Expect hysterical nuns, forbidden desires, graphic exorcisms, blood-soaked rituals, and one of the most unhinged fiery finales in horror history.
“Nuns of Fire!”
Continue reading “Alucarda” w/ Mistress Genevieve – (The YKF Cinema Show)
“Your nipples remind me of my girlfriend’s clit.”
Jade Desires is back to discuss the art of the ruined orgasms, tease, denial, Odaxelagnia (biting), mindfulness, psychology books, and how primal players are the ones who ignite everything.
“Men’s nipples do not get touched nearly enough.”
“Cuckoldism is vouyourism on crack.”
Chastity Queen returns to YKF for the first Sunday one-on-one of 2026. We dive into her Crown & Cage Society—cumming in cages, chastity tears, steamy cuckolding, and BDSM witchcraft. We talk sex magick rituals, harnessing cum energy, international keyholding adventures, and mass locking events. There’s telekinesis, subs balancing wet diapers on their heads… and the legendary stunt of sealing a man inside 15 layers of diapers and duct tape.
“I use my mind to kick his balls.”
“2026 is the year of showing up.”
Eustacia joins YKF for the first one-on-one episode of 2026. She’s the legendary Boston Dominatrix who’s also a certified helicopter pilot—her spirit color is traffic cone orange. We discuss the dungeon reflex, the grief of a sub’s passing, being banned from platforms, NOLA hip-hop, The Lost Boys, and attempting to re-enact Whitesnake’s “Here I Go Again” video.
“I’m still going to try and flush your head down the toilet.”
“Engage in kink with as many people as possible.”
Mistress Vinyl Queen returns after many years to claim her throne as the queen of vinyl at YKF. We discuss San Francisco kink, being the OG of trampling, a flesh-colored cucumber in a prison cell, using barcodes for her shoe inventory, and balancing on a man’s chest while wearing heels.
“Kink is like always going to the gym.”
The Lady Lioness & Nicholas Tanek strip BDSM safety down to its bones — and rebuild it with consent, negotiation, risk awareness, and intentional power exchange at the core. We talk SSC, RACK, negotiation frameworks, scene safety, aftercare basics, and why cutting corners isn’t edgy — it’s sloppy.
Seasoned kinksters and curious newcomers ask questions, share insights, and deepen the conversation — because community education is part of the scene.
Whether you’re new to kink, kink-curious, or a seasoned player who knows safety is a skill you practice — not a badge you earn, this episode reinforces why discipline, communication, and awareness are the real marks of dominance and submission alike.
Continue reading YKF GROWL: BDSM Safety 101 w/ The Lady Lioness & Nicholas Tanek
“Be thankful for what you are given.”
Justin Sayne (Fetish Mafia), The Lady Lioness, Anna Valentina, Mistress Sophie, & Nicholas Tanek join YKF Weekends for an episode on PRIMAL PLAY. We smash myths! Justin Sane detailed his quick-release asphyxiation collar for safe, mind-blowing restriction-plus-stimulation rushes, plus crew fantasies like Anna Valentina’s midnight forest hunts and alpha-sub claw sessions. Scent obsession, violet wands, knives, pack bonding, and themed aftercare kept it guttural and real—consensual, raw, community-driven. Producer’s note: We witness the birth of The Growl.
